From Slow Dancer

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Simon Okely is lost in time. Or at least, his songs sound that way: warm, near-whisperedindie-rock love letters to the 60s and 70s rhythm and blues records his parents wouldplay on family car rides down Australia’s winding west coast, heavy on nostalgia andeven heavier on imagination. “I try not to be too caught up in trends and what’s popularin music now and just focus in on my passions, my influences,” grins the Melbournesongwriter better known as Slow Dancer, whose 2014 debut Surrender was a melt-your-heart, Fleetwood Mac-with-Neil Young licks “pop postcard” from another time, anotherplace.Returning in 2017 with new single ‘Don’t Believe’ and a new album, In A Mood, due inJune on ATO Records, Okely is aiming even higher on his new material, featuring a“more expansive, more ambitious” sound that’s “less about the stories we tell ourselveswhen in love and more about the moods that can come creeping over a relationship” atany time. “It’s a little more tasteful, involving new instruments, like drum machines andstrings,” says the 31-year-old, whose lush tales of new romance, awkward courting and“scraggly, mangy love that’s fading and waning” have been striking a chord with fans ofMac DeMarco, Tobias Jesso Jr, Connan Mockasin and more.Okely grew up near West Australian city Perth, in a “tiny farming town” where, as asmall kid, he would bring a toy ukulele to church every Sunday and strum along asthough he was playing the hymns. After growing up and learning the guitar aged nine,he inheriting his grandmother’s piano and gradually becoming fascinated with theintense, intimate folk of Nick Drake, rhythm and blues vanguards Otis Redding andWilson Pickett and his parents’ favourite Van Morrison (an artist he “loved as a child,felt disgusted by as a teenager, then came to adore again as I grew older,” he laughsnow).In 2013, he moved to Melbourne and began to hone his craft live. “Something about theplace resonated with me,” he says, though musically it’s the “rugged, beautiful coastalsurroundings” he grew up in that continues to shape him. “A lot of people talk abouthow Perth has permeated artists’ music from there. I’d be lying if I said I didn’t see howit has permeated mine,” says Okely, whose childhood there was “very adventurous” andsaw him constantly “trying to soak in the landscape” and local music. “A lot of bands Iadore, like The Triffids from the 80s, a band called The Panics from the early 00s andeven Tame Impala – the place is very present in their music, how expansive it is. I feellike that same feeling is probably present in my music too, even though now I live andcreate in Melbourne.”After moving to Melbourne, Okely began writing as Slow Dancer in 2014, naming theproject after a lyric from a song on Surrender that was “essentially an instructionmanual for slow dancing with someone who is experiencing apathy. I really liked the

sentiment, and thought it fit quite well with the overall sound.” Key to that sound in theenvironment Okely writes and records in: alone, entirely at night, in a bedroom that“somehow crams in a drum kit, a piano, some guitars, and a bed,” he laughs. “I couldn’treally face the songs during the daylight hours. There’s something about 11pm on aweeknight when everyone is winding down, slumped out in front of a television or inbed… I really like walking around at that time and writing at that time. It’s the time ofday my mind is most awake.”“Come as simple as the sun and as steady as a breath,” sings Okely on melancholy newsingle ‘Don’t Believe’ over a smooth, slow groove, tremolo chimes of guitar andheartbreaking strings. “Let the evening come undone, and the thoughtful take a rest,” hesings on the track. His ambition with this new batch of songs and next chapter as SlowDancer is similarly simple. “This has always been my journal, my love letter to the musicI love. My concentration will always be on making the music that pleases me, and if itpleases other people too, that’s also great. It’s been a wonderful ride so far.”Simon Okely is lost in time. You should get lost in time with him.