Preview Before You Download
The new album Canyons of my Mind is available now!
Amazon Vinyl/CD/Digital: http://flyt.it/canyonsofmymind
For a limited time, download three album tracks from Canyons of my Mind – "Dirty Rain," "Blood Hunters," and "Rose Colored Blues" – along with three exclusive acoustic tracks recorded live at PledgeMusic – "Lauralee," "Blood Hunter," and "Silk Flowers."
After touring behind All These Dreams, a record that earned him international accolades and comparisons to everyone from Leonard Cohen to Mickey Newbury to Harry Nilsson, Combs has returned with a new album that puts down stakes in fresh sonic terrain. Canyons of My Mind, out now on New West, is — as its title suggests — a landscape where the personal and the pastoral converge. Drawing inspiration from the biographies of literary figures like Charles Wright and Jim Harrison, Combs has created an album that explores the notion of “sustainability” in its many facets — artistic, economic, spiritual, environmental.
"When I set out to record All These Dreams, I had a distinct vision of what I wanted the record to sound like. It was a cocktail of the Roy Orbison, Glen Campbell, Nilsson vibes that you can hear right there on the surface," Combs says. "Canyons of My Mind is much more personal. It’s a testament to my acceptance of who I am as a man, and who I am becoming.” The record’s sonic adventurousness bears witness to that evolution, as well as to some big changes in his personal life. Between All These Dreams and Canyons, Combs married his longtime girlfriend Kristin, with whom he honeymooned for six weeks in the Minnesota wilderness. “She walks through her life exuding such open-mindedness and kindness,” Combs says. “I can’t help but watch in awe. She lets me be whoever I want to be, and that’s new to me. And quite refreshing, and freeing.”
The quiet struggles and satisfactions of carving out an identity in a world gone wrong are palpable throughout the album. Whether questing through the labyrinth of his own spiritual yearning, (“Heart of Wonder”), recreating a rail rider’s full-body sensation of freedom beneath an azure Montana sky (“Rose Colored Blues”), imagining a near-future dystopia where the very idea of green spaces has been annihilated (“Dirty Rain”), or channeling the desire of a peeping Tom who has fallen in love with his sylvan quarry (“Hazel”), Combs refines the vulnerable vagabond persona he mastered on All These Dreams while pushing it beyond those boundaries, into a more pastoral realm aligned with artists like Nick Drake and Tim Buckley. The idea of the artist’s creative life as an ecosystem — one just as in need of cultivation and care as our own imperiled world — informs much of Canyons. For Combs, the quest to sustain his own capacity to create on a daily basis is what drives him. “I want to create for the rest of my life — writing, singing, painting,” he says. “I also want my life to include a family, a house, and kids. Seeking out other artists who’ve been able to keep the lights on without compromising their art – that keeps me inspired.”